7/14/2023 0 Comments V vendetta online![]() Keep your student ID number at hand, because you'll need to fill it out in the form. In the program info on the website you will find where you can view the livestream. During the lecture we will explain where and when you can find the link to the registration form. You can only register for SG&USE if you watch the program live (so not watching it at a later time) and if you complete an online SG&USE registration form within five minutes after the end of the program. Online via livestream: Please note: do NOT make a reservation if you want to watch the program online via the livestream.On campus: please register your participation on the spot when attending the program on campus, by scanning your student card before the start of the program at the venue.You do not need to book a ticket to view the livestream. Follow us on Facebook or subscribe to our YouTube channel to receive a notification when we go live. This program will also be streamed live to our Facebook page and YouTube channel. ![]() in comparative literature from Yale University and has published on literature (Kafka, Beckett, Coetzee), cinema (Resnais), Graphic Novels (Spiegelman, Ware, Clowes), Animation (Mickey), drones and flipbooks. Yasco Horsman is a University Lecturer in Film and Literary Studies at Leiden University. What are the characteristics of dystopias and why do they fascinate us so much? We’ll also discuss what we can learn from those stories and what is applicable to our societies today, especially in light of the corona pandemic.ĭr. In this series we’ll delve deeper into works of fiction (in literature, film and TV series) that are set in dystopian societies. We will discuss how both films differ from earlier dystopian cinema and opened the door to recent television series such as Mr Robot and Black Mirror and contemporary Art House cinema, such as Claire Denis’s High Life (2018). The focus lies with two films: The Matrix Trilogy (The Wachoswski’s, 1999-2003) arguably the first of a new wave of dystopian films and V for Vendetta (McTeigue, 2005), whose protagonist (the masked V) became a symbol of global protest movements, ranging from the hacktivists of Anonymous to the participants of Occupy Wall Street and the Spanish Indignados. Yasco Horsman discusses how the global responses to the corona pandemic have confirmed some of Deleuze’s intuitions – we are now truly living in a ‘control society’ - and he analysis how dystopian science-fiction cinema has responded to this shift. Societies nowadays are controlled through the use of algorithms that collect and analyze data in order to steer populations. In an essay published in 1990 philosopher Gilles Deleuze argued that western societies have undergone a fundamental political shift.
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